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This is another one of those movies that played a limited one week theatrical/VOD before being quickly dumped on disc and cable TV; HEATSTROKE (2013) is a totally predictable thriller whose only fat fruit casino saving graces are the South African scenery, animals and Peter Stormare’s performance. It’s a confusing tale about a new pastor , James Tupper, and his family arriving in a small Louisiana farm town and it’s apparent from the start that they have a target painted on their backs. When Fessenden does films independently his own way , WENDIGO ; THE LAST WINTER ,, they can be sublime slices of psychological horror, but within the TV confines, he is required to have something shocking happen every 15 minutes.
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I also have never seen Jeffrey Dean Morgan more evil than he is here (pay particular attention when the preacher/sheriff Douglas Henshall must pick two people to be killed and what Dean does when the choices aren’t up to his standards). Director/screenwriter Gavin Michael Booth, who like most modern directors, made their bones by directing short films, but he did write the screenplay for DEAD RUSH ), does a great job of holding your interest and I hope he gets the money again to make another full-length horror feature. This leads to a lot of fights and chases (all done particularly well, without resorting to use that quick editing that is so popular today), as Uncle John, Cayden and Angeline must find a way to stop Connor from killing more innocent people. Derek sleeps for a couple of days as soon as they enter their hotel room and when he awakens (he is starving), so they go to an Italian restaurant, where Derek takes one bite of his food and then proceeds to puke more than you would see in a Monty Python film.
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The whole movie is summed-up in the final 15 minutes, where Eric’s true love is shot in the head by Loggia (yet no windows break, even though Loggia is on the outside and Eric is inside the mall) as he is proposing marriage and Tim uses his new son as a decoy (he throws him in the air and Loggia and his men shoot the kid until he bloodily explodes). This is standard DTV horror made for the TWILIGHT (2008) crowd, but with R-Rated special effects. This was the longest 82 minutes of my life and I can’t believe it came from the same man who gave us MS. 45 (1981), KING OF NEW YORK (1990) and BAD LIEUTENANT (1992). I can forgive Lundgren for one bad film since most of his DTV efforts are pretty entertaining; CREATURE (2010) has a good cast, but all it really is is a guy in a rubber monster suit killing six twenty-somethings out (two brother and sisters and an interracial couple) for a good time in New Orleans. He quickly determines that the internal human fires are caused by the poison of the rare fire beetle put in the drinking water and when the sun hits them (they catch fire from the inside-out), but who is doing it? When Louise finds one of her cats dead (Victor could swear he saw Spencer walking in that location the same night and believes him to be the serial killer), but anyone with half a brain can spot the killer within the first ten minutes of the film.
Regrettably, this movie falls into the typical “hunt and kill” genre of jungle horror, featuring characters that are actually apes, not monkeys, as they viciously pursue and kill six American graduate students along with their professor, played by F. Murray Abraham in what could be considered a significant low point in his career, within the African jungles (though filmed in Thailand). The pacing of the film drags significantly (nearly all characters lack likability), gore only appears in the last 30 minutes (including a scene where a bear strikes a breast-enhanced princess so hard that her body collides with a tree, causing her silicone implants to pop out), and the sole “good” female character is ultimately revealed to be the antagonist. After 90 minutes spent fleeing through dimly lit catacombs (where visibility is quite poor), the twist is that the entire ordeal was a prank orchestrated by her sister.
The gory action begins when the killer’s payer (portrayed by Jake Busey), arrives at the diner with a briefcase packed with cash and mistakenly identifies Madsen as the assassin. Proceed to watch at your own peril, yet I found it impossible to look away from the screen; despite the fact that I should dislike BUNRAKU (2010) for its cheesy elements, somewhat excessive philosophical themes, and a runtime of slightly overlong 124 minutes, I am compelled to stop and watch it whenever I stumble across it on my pay cable channels. While its DNA includes more than a couple of traits from RACE WITH THE DEVIL (1975) (it still offers good), gruesome entertainment; UNTHINKABLE (2010) is a fitting title for an excellent thriller. This film opts for atmosphere rather than relying on gore and blood (the first spoken words don’t occur until 17 minutes in!) and creates a sense of dread so intense that slicing through it would require a hefty knife. It’s unfortunate because, although this narrative draws from various genres (notably the LONE WOLF AND CUB film series, with the first two films condensed to form the outstanding SHOGUN ASSASSIN), it still succeeds in providing entertainment and is notably violent, despite a hint of excessive CGI enhancements.